So You Think You Can Dance Week 4

Sorry it's late, I'm so glad they brought that awesome popper back, I love him.

The camera work seemed to improve this week, thank god.

Jessica and Will:
Jive:
The footwork, especially Jessica's was heavy and clumsy though I agree that their retractions were good. Unfortunately my notes just say connection, hip movement, weight, bounce so I don't know what i was really thinking last night. Ooops.

Lyrical Jazz:
Will had some very lovely lines and I agree that Jessica definitely needs more confidence because there were some moments where she just fell completely flat and had no spark.

Thayne and Comfort:
Broadway:
They did A LOT BETTER with new partners, but there definitely should have been more pop and energy in the piece; it is Broadway and that's what Broadway is. They need to get into the spirit of the piece especially at this point in the competition. Even if they are doing better with their new partner that doesn't excuse the fact that they still need to step up to the level that is asked of them.

Smooth Waltz:
Did I say the cameras were better? I take that back. I wanna see the footwork goddamn it. In the lift Comfort had really lovely lines and their carriage was really great. Could have done better with the frame, however.

Kourtni and Matt: OK, this is gonna be sad for me as I love them (Kourtni is my favourite woman.) *sigh*
Hip Hop:
Obviously anyone who was watching could see there were parts that they were out of sync. It appeared that Kourtni kept looking at Matt to make sure they were in the same place and yes for choreographed pieces you learn a routine, but you should be listening to the music which they obviously were not doing which is a giant failure in my book. Learning where your moves should be connecting with the music is just as important as the moves and if you get that down you don't have to worry about being in sync. Also, something that would have been taken care of by this would have been the fact that there were moves that they obviously were supposed to hit on the beats and they didn't.

AT some points however I think Matt nailed the staccato and liquid movements, but he was not consistent at all.

Mambo:
Dude, Matt, what the hell! Kourtni was giving you enough sexy and smoldering and you just ruined it. That is not the spirit of mambo, that was so off character. Blah. Matt was too up and his weight wasn't over his feet (which happens when you're too far upright) and his was a little too bouncy. The steps were executed well, I felt Kourtni's footwork looked a little heavy at times.

Chelsie and Mark:
Jazz:
This has been the best Jazz routine this season though I haven't liked any this season. Of course they nailed it and they made it seem completely easy. They are awesome. (Mark's my favourite guy.)

Foxtrot:
This is my favourite dance this season. I love both the ones we've seen. Just lovely choreography. There was a great break hit by Mark about halfway through-he really nailed it. There was great footwork, frame, and carriage, and my only complaint is that Chelsie took control a little bit, but this is her thing and I doubt anyone else really noticed that.

Kherington and Twitch:
Paso Doble:
Okay. The commitment and passion was there. And it was highly entertaining. But was the dancing itself done right? Hell, no. Paso Doble is very stylistic and flamenco-ish. Twitch showed glimmers of the style here and there, but Kherington missed it. She was all up and forward like a properly-trained contemporary dancer should be, which is totally the wrong posture. Her shoulders were way too forward, she didn’t have the right frame - the claps and slaps at the end looked terrible as a result of this. And the kind of passion she was displaying was wrong - it was more aggressive, competitive and mean, as opposed to confident, prideful, and just damn’ ol rawly womanly. I found this rather distracting and jarring. On the other hand, I did enjoy watching it because it was so damn entertaining.

Contemporary:
I thought that they had great lines and executed it well, but I didn't really feel the story about Twitch's loss and Kherington's darting in and out was just confusing.

Katee and Joshua:
Contemporary:
When they were doing the same moves in the beginning of the piece Joshua was too reserved and didn't match Katee's intensity which captured the intensity and spirit of the piece. But I must say other then that they had great command of the stage, look at the execution of those beginning walks, and great form.

West Coast Swing:
Not impressed. But then I'm comparing them to all the WCS dancers I know, and I know some champion WCS dancers. Was it entertaining and energetic, yes. But think back to Benji, Lacey, or Heidi (this was Benji's choreography) and compare them. They seem to be favourites of a lot of people (including the judges) and I think because of this they were allowed to get away with a less then stellar performance.

Courtney and Gev:
Hip Hop:
Was that Courtney? OHMYGOD! What happened to Gev? I didn't watch him at all which equates to a really weak performance and this is his style. I agree with the judges that there were some parts that looked bubblegum-esque, but really Courtney really impressed me.

Broadway
Blech, just blech. I hated the choreography and I agree with Nigel that it was not as good as it should be (even though the choreography sucked) and it definitely wasn't good as *they* could do. I also agree that Courtney's kicks were not high or dynamic enough and just kind of fell flat. The only parts of the routine that could have been redeeming for me were poorly executed. Also as Tabitha (or Napoleon?) pointed out was that they kept the same intensity the whole time where the music obviously demanded that they bring it down and back up again to really explode at the end. Again this is a problem with not listening to the music and just executing the moves which is a fatal mistake for dancers IMNSHO.

I thought that Thayne, Courtney, and Comfort's solos were kind of weak. Oh well, I'll find out in 5 minutes.