A place to vent my frustrations about living in a effed up white male dominated, ableist, capitalistic society. And if you're mean, misogynistic, or in any other way effed up I will delete you. And yes, it is at my discretion. Whine about it elsewhere.
I so don't even care about SYTYCD anymore this season. I never connected to Joshua or Katee and while Twitch is nice and entertaining, I don't get excited thinking about him dancing. How he's there over Mark I have no idea. Especially given both their solos tonight (and performances last night). Ridiculous.
Because your VP vettings say you don't, or you're still planning on the whole "they have no where else to go" bullshit to happen. Well you know what? We've been saying no, and we're still saying no, so fuck you mate.
Sen. Barack Obama, the Democratic Party's presumptive nominee, appeared on Meet the Press on July 27 and was pressed by Tom Brokaw to discuss the criteria, timing and prospects for his selection for vice president. Obama refused to name any names, but he did offer this insight: "I want somebody who I'm compatible with, who I can work with, who has a shared vision..."
Well, I hope that shared vision includes full equality for women, because some of the names that have been floated recently aren't particularly reassuring.
.....
The New York Times puts forth a frustrating Catch-22 in the veepstakes, claiming that there's little chance Obama will choose Clinton, but that hopefuls like Sebelius shouldn't hold their breath either because "if a woman were to be placed on the ticket, could it be anyone other than Mrs. Clinton?" Um, because Clinton was such a strong contender, that should eliminate all other prospective Democratic female VPs from the field? John Edwards lost, so does that mean Obama shouldn't consider any white males for the VP slot? Of course not. Only in a patriarchy are we allowed just one woman trailblazer at a time!
So, let's look at some of the men whose names are being bandied about. Gov. Kaine is reportedly very close with Obama and is supposedly the frontrunner at this time. This concerns me a great deal, as it should all feminists. Kaine, a former Catholic missionary, is on the record as having "a faith-based opposition to abortion," and having promised to enforce the (numerous) restrictions in Virginia law. We think Barack Obama should look for someone who trusts women to make these important decisions with their doctors and their families.
....
What a great way to lose women's votes -- and hurt girls' and women's future. In a year when an unprecedented number of feminist and progressive voters are energized and engaged in the electoral process, what a mistake it would be for Obama to turn away from his base in perhaps the most important decision he will make between now and the convention. A misguided attempt to reach out to evangelicals and socially conservative Democrats can only backfire. I fear that if women have to choose between a ticket with Chuck Hagel and a ticket with John McCain, they're likely to stay home.
.....
The simple political fact is that Sen. Obama needs to reach out to women, and demonstrate that he is a true proponent of equality for all. He needs to ask for women's support the same way Clinton did. It was the first time in a long time that we've been talked to by a candidate who wasn't talking down to us.
Some of the men on Obama's short list might not even bother to talk down to us -- many of them, with the exception of Joe Biden, haven't talked to us much in the past, so we suspect that they just might ignore us entirely in the future, while trading away our rights.
Of course only one woman at a time! And I'm sorry, but I heard Gov. Sebelius floated before the primaries were even over as a way to "quell" our anger that Clinton did not get the nod so I'm already pissed of about that. But now it's (almost) decided and seriously the names that have been floating are repugnant. Napolitano, who I would think of as a good choice, has not even been asked for vetting papers, but Sebelius has, and it seems like that's just a little nod to all us dried up bitter women who were screwed out of having an actual progressive candidate who cares about women. Which, I'm sorry that you don't like it Obama, but that includes the right to abortions without having to consult the entire community AND accepting the fact that mental health issues are just as damn important as physical health issues to the life of the woman. I'm glad that no one close to you has had to go through mental health issues and that you've never had your life touched by domestic violence, which does create undue mental stress even if it's not a diagnosed condition, but FUCK YOU for telling the many women who have been and will be in those situations that their pain is just not good enough to get a late term abortion. I'm lucky, I'm diagnosed so I'll be able to get one. Many people, including me, go undiagnosed for years if they ever do get diagnosed. It is NOT UP TO YOU.
Anyway, looking at Obama's list and especially the list of people who have given vetting papers we have a token woman and then a slew of men who are at best tepidly OK for women. It's not like I haven't been screaming it from the rooftops this entire damn primary season, but OBAMA DOESN'T CARE ABOUT WOMEN. He wants us to vote for him, but he doesn't want to do a damn thing to earn those votes, just like the Democratic Party has for, well, forever. We are the LARGEST voting bloc AND we had a candidate who has done a shitload of work for women: Plan B over the counter, VAWA, Vital Voices, etc, etc, and yet here we are being ignored. Again. Why? Of all years why are we being ignored? Isn't it obvious that these things are a BIG DEAL to a good portion of the 18 million people who voted for Hillary, and dare I say a good deal of people who didn't? This is a big deal. STOP FUCKING IGNORING US. Right now, you are not that much better then the other guy so stop thinking that that's gonna work for you. Democrats have always counted on us voting for them since they're better then the other guy. Well both guys suck, both guys want to restrict my access to abortion, and both are going to completely fuck up this country.
And can I tell you I am so happy that there are other PUMAs. Ever 4 years I scream from the rafters about how the R's and the D's are too incredibly similar and now other people are realising it. Well, they realised that the Dems weren't being what the Dems were supposed to be. I can tell you that by the amount of trolls (can you call them trolls if you know who they are?) that visit my tiny little Hillary group on Ravelry (the main Obama group has about 30x the number of members as our group and we're the little Hillary group b/c we're unaffiliated-people in our group will be voting McCain, McKinney, no one, or Obama and some people do not like this) they really are worked up about PUMAS. If we were so sad to them why would they bother to troll us continually? Why do they care what we're talking about all the time? PUMAs are real, there are a lot of us, and if we were inconsequential no one would care.
But yet they're just saying "oh they're angry," "they'll get over it," "they're throwing a tantrum b/c they didn't get what they want." Well in part, yeah. I'm angry and I didn't get what I want. But you know what? It *still* isn't up to me to blindly follow someone who says and does things I abhor. It's up to him to win my vote. You know what would be a step in that direction? How about choosing candidates for VP who don't openly and actively hate me? Or is that too much to ask? You and Michelle always talk about your daughters, but guess what, they're girls who'll one day be women too. (I hate having to use that whole "look at this girl/woman you know" crap.)
This space reserved for thoughts on the show. Must dial for Mark, Chelsie, and Courtney. But mostly Mark.
And OHMYGOD Sonya is now officially my favourite choreographer on the show. She choreographed 2 of my favourites: tonight's jazz routine (WOW) and Matt & Kourtni's comic book contemporary. I love Sonya. (will have last name later)
Last night was another pub quiz, and I usually don't go, but my partner's leaving for 3 weeks to do WASL alternative grading and then moving for a teaching job at a high school district 2 hours away maybe a week after he gets back (he'll be here the week I'll be in Denver too, though, but then again I won't be here). So I did that instead.
Next week will be back to regular as I'm on crutches and can't dance at the moment (X-Ray was clear even though the doc seems to be convinced I have a stress fracture and it just isn't showing yet. NOT ALL DANCERS GET STRESS FRACTURES, ARGH!) I'll definitely be craving dance. I'm craving dance as we speak. I spent the entire day at the ER thinking of ways I could dance without using my left foot or putting pressure on it in any way.
These have been some interesting times for me. Stupid, ridiculous, hard times for me. And you know what? Lines were crossed. Things that should never have been said were said. And I saw this at reweaving and I was rejuvenated. It said exactly what I have always thought. The weights that have been holding me down at the bottom of the ocean were lifted. The gag over my mouth disappeared. I could see; I could breathe again. Here's what it says:
I don’t do blind loyalty to anyone, or anything, I critique and interrogate everyone and everything.
Don't expect me to censor my thoughts or my friendships into some thing you find acceptable
That's it, that's all it took. Not rocket science, I admit, but just those two simple sentences, those two little statements, they were enough. I have never been the darling of anyone. I say the wrong things to everyone, it drives my partner crazy sometimes. Even though I am a dedicated radical feminist anti-pornstitution blogger I have dear friends, who are friends for the reasons one generally has friends, who are pro-porn. They don't like what I have to say, but they listen to it at least and are respectful of my words as I am of theirs. We debate, but in the end, and this is all I think one can ever do, I present my argument to the best of my abilities and hope that it creates a spark-something that will cause them to see the truth in my argument and will get them to change their minds.
In the end that's all we can ever do: present our arguments and have enough faith in those arguments that they alone will cause someone to see our side of the story. Changing someone's mind does not come by telling them how wrong they are, by what they should change, or by demeaning them, yelling at them, or lecturing them. I have seen all of these and I am sickened by it.
Radical feminism is about getting rid of this entire system of dominance and hierarchy. No more oppression. No more capitalism. None of it. That also means that there's no "leaders." It is a movement of education, of information. The message is so powerful, the truth so right that we don't need to force people to do anything. I believe this. I believe with all my heart that a world without dominance and hierarchy is possible. Soon? No. But someday? Yes. It warmed my heart when I met some of The Redstockings in NYC and one of the women said to me "I'm doing this for my daughter's daughter's daughter." Which is what I've always said. (Though I'm not having any children.) What we aim to do is to make the world better for each generation of women, and one day.....
Anyhow. I have seen the yelling and the lecturing and it just makes my blood boil. I believe in this message with every fibre of my being. Words cannot describe just how much that message means to me. It is who I am; it is how I live my life; it informs every decision of every day. But who will hear the message when they're getting yelled at? Who? I used to do it too, and I cringe when I see it, you can find examples of it on the internet even. I was like that too, I admit it, but you know what changed that? I remembered that the world isn't black and white. I saw that I got one person to stop watching porn simply because when I found out he did I told him that I don't hang out with people who do and it started a series of conversations that ended with him buying Andrea Dworkin books of his own accord. It's the message, people. You need to make sure that it gets heard. That's my mission, making friends and allies is nice, but not if I'm supposed to toe some party line or pass some purity test. I've never been able to do that and I probably never will. Nothing's black and white. Not even math when you study it enough. (I know how to invent numbers!) It's all shades of grey.
But what's worse is what happens if you say something that the online community, which is very different from real life radical feminists that I've met for the most part, **not all** mind you, I am not making a blanket statement one way or the other here, doesn't like. If you critique the name of a blog like Dead Men Don't Rape as Laura once did you can be attacked and called pro-porn. If you thank people who supported you and suggest that you should talk more often even if you are across the great porn divide as Debs did then you can have your intelligence and loyalty to radical feminism questioned.
And these things were ugly. People were vicious and mean and condescending and all sorts of other things. Tears have been shed, things have been broken (inanimate things, but that might have just been me), and relationships irreparably damaged.
Why the self-cannibalism? Isn't a number of disparate voices good? I think it makes the movement stronger. Do we really have to agree 100% of the time on everything? Because if that's really what needs to happen then I fail. I fail miserably. It's never going to happen. I can think of one big bright shining issue that I know there's going to be a problem with: trans. We don't agree and unless y'all start thinking about being more trans-inclusive we won't. Hell, I don't even agree with myself all the time so I sure as hell aren't going to agree with whatever the hell I'm expected to agree with all the time.
Does it mean we all have to like each other? Because really if someone who doesn't like me doesn't like me and says so that's FINE. It's much better then someone who doesn't like me pretending to like me. There are enough fish in the sea and I don't have to be friends with every single one. (I've always fancied sharks though and I thought of that as I was writing that so does that mean I want to eat a few people?) I learned long ago that sharing an ideological connection with someone was not enough. Most of the people that I worked with in activist communities were the people that have abused and assaulted me. So obviously I know that just because we share the same ideology it does not necessarily mean that we're going to be best of friends or friends at all. I'm OK with that. (not the assault and abuse part but those are also not the people I'm talking about here for the most part).
Some of my friends have been abused by some of my other friends. This pains me and I try to stop it as much as I can. Sometimes I'm successful. I wish I was more often, but then again I'm one person and I'm not always around. But here's the thing. I am expected to stick up for people who are abusive towards me simply because we are both anti-porn. Well FUCK THAT. I am no more going to defend ideas I do not agree with or people who are abusive to me then I am going to start cheerleading porn. I am and always will be my own person. I will not defend something I do not agree with because I am told to. I will defend it because I believe it.
But anyway, I'm sick of it-sick of sitting by and not saying anything to all sides. Y'all are on notice. I'm gonna say what I think and I'm not too good at being anything but blunt, it's just the way I am I never learned the "social niceties." Anyway, it feels like my Independence Day. I feel like me again. (Knowing I'll probably disappear back down the rabbit hole again after this, but whatever, when I emerge you know what to expect.)
Melanie C sums it up nicely. Here's Independence Day for you:
I know I make mistakes I will have to live and learn Sometimes you play with fire And sometimes you get burned
I have my dream to live Following that star It doesn't matter how long it takes It doesn't matter how far
No time for make believing And it's too late to turn back now, you-you-you
I've been dreaming about it I can't live without it I've got to find my own way I'm not changing my mind now Or looking behind now This is my independence day My independence day
I know it'll take some time But I won't give up the fight Sometimes you win, sometime you lose But that's alright, oh yeah
I've got to spread my wings And learn how to fly Cos this feeling drives me on It's something I cannot deny
No time to make excuses Cos it's too late to turn back now, you-you-you
I've been dreaming about it I can't live without it I've got to find my own way I'm not changing my mind now Or looking behind now This is my independence day My independence day Hey, my independence day, oh-oh
No matter what comes my way I'm gonna live for today, yeah-yeah This is my, this is my independence day (Gonna live for today)
I've been dreaming about ir I can't live without it I've got to find my own way I'm not changing my mind now Or looking behind now This is my independenceÂ
I've been dreaming about ir I can't live without it I've got to find my own way I'm not changing my mind now Or looking behind now This is my independence day My independence day (independence day) Day, my independence day (independence day)
Wishing on that same bright star I shouldn't wish my life away, wish my life away (independence day) They say it's a small small world They say it's a small small small small world (independence day).
I don't normally look at PostSecret, but someone pointed this out to me: There are really no words I have to describe how horrifying and repugnant this is. No matter how much you dislike someone there is NO reason to not only condone, but agree with the daily terror that is Domestic Violence. I've worked at a DV shelter and I have seen firsthand the effects of DV on women and families. There is nothing, NOTHING that excuses this. It is not only blaming the victim for the abuse whose responsibility is solely that of the abuser, but it is also continuing the oppression by blaming that person. This is the same mentality that keeps women from reporting the abuse and that keeps abusers from jail and from police taking the matter seriously.
The most common reasons for not reporting domestic violence to police are that victims view the incident as a personal or private matter, they fear retaliation from their abuser, and they do not believe that police will do anything about the incident.
Women who are in DV situations have more then enough problems without the people who are supposed to help them blaming them for abuse and disregarding the fundamental reason for that abuse: misogyny. Most women already believe that it's somehow *their fault.* The person who wrote this should quit since they feel this way.
I wish I could express myself better, I am beyond angry.
Onto more people who shouldn't be allowed around women.
Kyle is a social justice educator, writer, and activist. Much of his work is concerned with putting a stop to violence against women. For years Kyle has served as an advocate for survivors of sexual violence and other forms of abuse, in addition to promoting what he calls “a more just and life-affirming culture of sexuality” through activism and education. As a researcher, Kyle has studied the feminist anti-pornography movement and is particularly interested in men’s roles in confronting pornography and the rape culture. In addition to his pro-feminist work, he is involved with anti-racist, free speech, peace, and anti-globalization movements.
Education
2008 - M.S. Degree in Adult Education Capella University, Minneapolis, MN
2007 - B.A. Degree in Philosophy & Religion, Social Consciousness, and Women’s Studies Buena Vista University, Storm Lake, IA
College Activities
Rape Crisis Advocate (4 years) Editorialist (4 years) Webmaster (4 years, several organizations) Resident Advisor (3 years) Student Radio (3 years, several positions) Academic Assistant (2 years) VP of Service Learning (1 year) Wellness Education Specialist (1 year) Career Peer (1 year) Student Senator (1 year)
College Honors and Awards
Male Leader of the Year Award, BVU (2007) William H. Cumberland Research Award, BVU (2006) Willard Stief Award for Community Living, BVU (2006) Nominee, Senior of the Year, BVU (2007) Nominee, Volunteer of the Year, BVU (2006, 2007) Alpha Chi Honor Society (2006-present) Dean’s Fellowship, BVU (2003-2007) Who’s Who in American Colleges and Universities (2006) Campus Compact Civic Engagement Fellowship (2006)
Here's the thing: Much of his work is concerned with putting a stop to violence against women. For years Kyle has served as an advocate for survivors of sexual violence and other forms of abuse, in addition to promoting what he calls “a more just and life-affirming culture of sexuality” through activism and education. As a researcher, Kyle has studied the feminist anti-pornography movement and is particularly interested in men’s roles in confronting pornography and the rape culture.
He works putting a stop to violence against women and against rape culture yet he, himself had no problem with sexually assaulting and making pornography out of an intoxicated and unconscious female student. He was in a position of power over this woman, a Resident Advisor in the dorms and police found the film on his hard drive. After he posted bail he wrote this on his blog:
"For a variety of reasons, there is very little I can say about the recent news. So, unfortunately, I cannot give you the answers that you might seek. Worse yet, I can do little in the way of defending myself against a whole host of claims about my character that are both irrational and damaging.
IRRATIONAL! IRRATIONAL! Yes it's irrational to get angry about the fact that you, someone who labeled himself a "radical feminist" who worked against rape culture then turned around and not only sexually assaulted someone, but made pornography out of it. According to his blog he works doing rape crisis advocacy which scares the hell out of me-a rapist talking to victims of sexual assault! There's more about this at Buried Alive.
Liveblogging this time to avoid last week's confusing note mix up. I mean, that's what commercials are for, right? And by the way I am not happy because I have ballet foot. My toes are killing me, but only on my left foot. It's not fun.
Round 1 Chelsie & Mark Salsa: What the judges kept saying was lacking with Mark I think was hip action. His Salsa left me wanting more hips. If he would have loosened up his torso as Mary said his hip movement may have been more obvious but as it was I wanted more Salsaness in his hips. There was really great footwork and connection. I love them and I loved it.
Comfort & Thayne Hip Hop: Blah. Can they go home already? I mean Comfort's solo last week was abysmal and Thayne's was nothing special. Seriously. They executed the steps well, it's true, but there was no connection, no chemistry, nothing. Blech blech blech. How are they still on the show? Seriously.
Jessica & Will Contemporary: Wow, Jessica was good for once. I mean she has been really bad thus far and I really think Will has been carrying her and was surprised that she didn't go home when she was in the bottom 3. But this time she did a really good job. There was definitely a lot of emotion and connection between them. It was a fabulous piece and they did an amazing job. The lines and the fluidity was gorgeous. But I really would have loved to see Kourtni and Matt perform this piece.
Courtney & Gev Cha Cha: EEEEEEEEEEEEEE!!!! ANYA AND PASHA!!!!! OK. Gev's footwork was so sloppy, his hips were all over the place and not in the way that they were supposed to be. Like Mary said they should be moving in opposition, but they were just.... He wasn't working into the ground with his feet, just bad. His partnering wasn't bad, but that footwork, ick.
Twitchington Krump: Um, yeah. I hate Krumping. "Grrr, I'm mad. Grrrrr." All I can say is that Kherington's tough face was making me laugh. I thought it looked hysterical. And that at the end they were completely out of sync and it seemed as though Kherington forgot the steps, which like I said last week wouldn't happen if, besides learning the moves and routine, you listened to the music.
Katee & Joshua Viennese Waltz: The lifts were very light and executed flawlessly. But they didn't really dance into the floor or glide enough. There was too much bounce and they were definitely heavy on their feet. I do agree that Joshua had really good carriage, but overall other then the lifts I thought that he was really weak in this routine. I was surprised that the judges weren't more critical of the footwork as that is a huge part of the dance. Yeah lifts are great and showy, but the meat of the dance is in the connection and the footwork. One was there, one was not.
Round 2 Chelsie & Mark Broadway: I love them, seriously. Chelsie had really great lines and extension throughout the entire routine. Of course, as always, they had the characters down pat. They always get really into the routine and tell the story. Mia was right that Mark's movement was occasionally sloppy
Comfort & Thayne Contemporary: I agree wholeheartedly with the judges. Some of Comfort's lines were crappy-she needed to lengthen her legs and feet especially. There was an awkwardness to the way the steps were executed and once again a lack of commitment from Comfort that made it disjointed. They were also lacking chemistry again, but I don't think they're ever gonna get that. I seriously think they should go home. 2 weak performances stacked up with weeks of weak performances-at least the judges agreed that some of Kourtni & Matt's performances were good and *they* went home over these two. Blech.
Jessica & Will Quickstep: When they were dancing the Quickstep they had very heavy footwork which is very very bad for the Quickstep (I mean, can't you tell by the name?) Jessica had spaghetti arms at times especially when they were traveling which was about 90% of the time they were doing the QS (which is par for the course). At least there steps were in unison.
Courtney & Gev Jazz: Gev: where was that hip action during the Cha Cha? They had great chemistry and I thought that they brought a great deal of character to the piece. I thought that it was executed really well and you could really see how great Courtney's lines and extensions were in the lifts. It was great.
Twitchington Smooth Tango: They didn't dance to the intensity of the music at all. They totally could have brought the characterization to it and they didn't. Smooth Tango, key word *smooth.* Them: not so smooth, more bouncy, but I think that this could have been overcome (to the general public) with some performance since people (and the judges) seem to love them so much. Like I said with them not dancing to the intensity of the music they didn't bring the necessary passion to it that they so obviously knew it needed since they were talking about it in the preview. Bad tango.
Katee & Joshua BOLLYWOOD!!!! I watch Bollywood all the time so I hope this is good. OK I was waiting for backup dancers, but I wish they would have done it more back and forth style as in Bollywood movies instead of in sync as they did it. I really hope that more people pull this out of the hat because I love Bollywood. WOO WOO.
I think that Jessica & Will, and Thayne & Comfort will be in the bottom 3 and possibly Twitchington, but they seem to have a huge following so who knows, but I would think that the people going home would be the people continually in the bottom 3.
Man that series finale was a roller coaster and I LOVED IT. I love that Rose and (a version of the) Doctor got to be together because they love each other so much and that everyone was OK at the end even though Donna will never remember any of the amazing things that she's done or that she saved the universe. I loved all the companions around the console working together and the Daleks speaking German.
Exterminieren! Exterminieren!
And go Dalek Caan for wanting to destroy the Daleks forever, even if I doubt this means they will be destroyed forever. Damn that ending made me cry. I love Donna's grandfather, it feels like it's worse for him, because she'll never remember and he will. Damn. I don't see them ever doing a better finale. Ever.
So Matt's a better dancer yet he's not getting better then himself so he has to leave? How does this make sense in any way shape or form. "Uh...you're brilliant, but you're not getting more brilliant so you'll have to go." His solo was so much better then Thayne's.
WTF?
Nigel made the right vote for Kourtni to stay, but then again he was the only one who noticed that Comfort's solo was weak and that at this point in the competition Comfort shouldn't be getting props simply because she' a hip hop dancer and should be held to the same standard as everyone else.
Sorry it's late, I'm so glad they brought that awesome popper back, I love him.
The camera work seemed to improve this week, thank god.
Jessica and Will: Jive: The footwork, especially Jessica's was heavy and clumsy though I agree that their retractions were good. Unfortunately my notes just say connection, hip movement, weight, bounce so I don't know what i was really thinking last night. Ooops.
Lyrical Jazz: Will had some very lovely lines and I agree that Jessica definitely needs more confidence because there were some moments where she just fell completely flat and had no spark.
Thayne and Comfort: Broadway: They did A LOT BETTER with new partners, but there definitely should have been more pop and energy in the piece; it is Broadway and that's what Broadway is. They need to get into the spirit of the piece especially at this point in the competition. Even if they are doing better with their new partner that doesn't excuse the fact that they still need to step up to the level that is asked of them.
Smooth Waltz: Did I say the cameras were better? I take that back. I wanna see the footwork goddamn it. In the lift Comfort had really lovely lines and their carriage was really great. Could have done better with the frame, however.
Kourtni and Matt: OK, this is gonna be sad for me as I love them (Kourtni is my favourite woman.) *sigh* Hip Hop: Obviously anyone who was watching could see there were parts that they were out of sync. It appeared that Kourtni kept looking at Matt to make sure they were in the same place and yes for choreographed pieces you learn a routine, but you should be listening to the music which they obviously were not doing which is a giant failure in my book. Learning where your moves should be connecting with the music is just as important as the moves and if you get that down you don't have to worry about being in sync. Also, something that would have been taken care of by this would have been the fact that there were moves that they obviously were supposed to hit on the beats and they didn't.
AT some points however I think Matt nailed the staccato and liquid movements, but he was not consistent at all.
Mambo: Dude, Matt, what the hell! Kourtni was giving you enough sexy and smoldering and you just ruined it. That is not the spirit of mambo, that was so off character. Blah. Matt was too up and his weight wasn't over his feet (which happens when you're too far upright) and his was a little too bouncy. The steps were executed well, I felt Kourtni's footwork looked a little heavy at times.
Chelsie and Mark: Jazz: This has been the best Jazz routine this season though I haven't liked any this season. Of course they nailed it and they made it seem completely easy. They are awesome. (Mark's my favourite guy.)
Foxtrot: This is my favourite dance this season. I love both the ones we've seen. Just lovely choreography. There was a great break hit by Mark about halfway through-he really nailed it. There was great footwork, frame, and carriage, and my only complaint is that Chelsie took control a little bit, but this is her thing and I doubt anyone else really noticed that.
Kherington and Twitch: Paso Doble: Okay. The commitment and passion was there. And it was highly entertaining. But was the dancing itself done right? Hell, no. Paso Doble is very stylistic and flamenco-ish. Twitch showed glimmers of the style here and there, but Kherington missed it. She was all up and forward like a properly-trained contemporary dancer should be, which is totally the wrong posture. Her shoulders were way too forward, she didn’t have the right frame - the claps and slaps at the end looked terrible as a result of this. And the kind of passion she was displaying was wrong - it was more aggressive, competitive and mean, as opposed to confident, prideful, and just damn’ ol rawly womanly. I found this rather distracting and jarring. On the other hand, I did enjoy watching it because it was so damn entertaining.
Contemporary: I thought that they had great lines and executed it well, but I didn't really feel the story about Twitch's loss and Kherington's darting in and out was just confusing.
Katee and Joshua: Contemporary: When they were doing the same moves in the beginning of the piece Joshua was too reserved and didn't match Katee's intensity which captured the intensity and spirit of the piece. But I must say other then that they had great command of the stage, look at the execution of those beginning walks, and great form.
West Coast Swing: Not impressed. But then I'm comparing them to all the WCS dancers I know, and I know some champion WCS dancers. Was it entertaining and energetic, yes. But think back to Benji, Lacey, or Heidi (this was Benji's choreography) and compare them. They seem to be favourites of a lot of people (including the judges) and I think because of this they were allowed to get away with a less then stellar performance.
Courtney and Gev: Hip Hop: Was that Courtney? OHMYGOD! What happened to Gev? I didn't watch him at all which equates to a really weak performance and this is his style. I agree with the judges that there were some parts that looked bubblegum-esque, but really Courtney really impressed me.
Broadway Blech, just blech. I hated the choreography and I agree with Nigel that it was not as good as it should be (even though the choreography sucked) and it definitely wasn't good as *they* could do. I also agree that Courtney's kicks were not high or dynamic enough and just kind of fell flat. The only parts of the routine that could have been redeeming for me were poorly executed. Also as Tabitha (or Napoleon?) pointed out was that they kept the same intensity the whole time where the music obviously demanded that they bring it down and back up again to really explode at the end. Again this is a problem with not listening to the music and just executing the moves which is a fatal mistake for dancers IMNSHO.
I thought that Thayne, Courtney, and Comfort's solos were kind of weak. Oh well, I'll find out in 5 minutes.
Artist, radical feminist, mathematician/physicist in training, queer spinster in training, tricoteuse, cat lady, Wobbly, anarcho-bike punk, Earth First!er, dance fiend, hairy legged prude & theorist with a PTSD/BPD (dis)Ability who can be seen toting about math books, an accordion, juggling balls, or placards any day of the week. (And quite possibly a camera)